Tsumugi/Novel

As we all know, Tsumugi isn't literate, let alone any plot ideas that are based on succession and transformation. Therefore, at the beginning of the Newcomer Award, YoKo, who wasn't worried about it, stuffed a lot of reference books. However, after only turning a few pages, she quickly gave up the idea of seeking truth from it - the theory is not her style. It is the most important thing to express her inner imagination.
So she doesn't completely let go of her hands and feet, follow the accumulated emotions and convert them into words. Although she encountered many difficulties in writing in this process, voice input and automatic association function have become her efficient solution tools. In the end, with the gripping plot and deep emotions, Tsumugi's works successfully impressed the readers. As for the grammar and Chinese characters, it is just a trivial flaw that no one cares about.

In her novel, Tsumugi has successfully portrayed the protagonist into the image she desires - a gentle, considerate, big sister who can express emotions intellectually and steadily. However, the difference, in reality, seems to need to be settled. Although she has been trying to portray the characters in her writing generally showing a mature appearance, but once faced with Yoyo-
"Um, Yoyo, there is a festival tonight. If you can, let's go and see it together?"
"Well, there will be performances tomorrow, not today."
"Eh?"
"Sorry, how about staying with you next time?"
"Hmm! I don't care! Hurry up, hurry up! Let's go over and take a look now!"
"Hey, don't, don't pull me!"