Nibelung
Last updated 2026-09-10
Nibelung, also known as Narayana in Sumeru,[4] and Takoja Ianikuinen by the Frostmoon Scions, was the Dragon King and, after corruption, the Second Descender of Teyvat who ruled the planet before the arrival of the Heavenly Principles.[Note 1] He was the creator of the Three Moons and their goddesses, whom he appointed to govern the world in his absence as he left to the sea of stars. During the Funerary Year, he returned to Teyvat and introduced the Abyss to the world in an unsuccessful attempt to fend off the invading Heavenly Principles, but failed and was killed by them.[5][6]
Appearance
Nibelung is described as being gargantuan, and after sinking into the abyss, having great dark wings.[7][8] However, Apep describes him as having scales that "shine bright," indicating he wasn't black-colored in the past.[5]
The black dragon depicted in Revelations from the Past appears again in a mural in Ochkanatlan, where it is instead depicted as silver white. This dragon is depicted as floating above the Three Moons and beyond the world of Teyvat, further implying that Nibelung once had a brighter coloration, likely before he came into contact with the Abyss.
Story
Nibelung was an ancient dragon born alongside the world.[9] At one point in the distant past, he met Anacharsis, a voyager who traversed the sea of stars, chronicling the demise of civilizations. She warned him that his world was destined for destruction by the Abyss and urged him to depart with her. Yet, Nibelung refused to abandon his kin. Instead, he sought to lead the dragon race beyond Teyvat by developing the means to reach the stars—an ambition that gave rise to their mastery of advanced technologies.[9][10] Since he is depicted in the mural ruling Chichen Uctokah, it is possible that the space elevator project centering on it and Tonatiuh was originally spearheaded by Nibelung himself.[6]
Later on, Nibelung decided to leave Teyvat to seek a solution to the threat of the Abyss,[11][12][13] and created the Three Moons to govern the world and its cycles in his absence.[3] At some point after his departure, however, the Heavenly Principles arrived and imposed a new order over the world, assuming control over the Three Moons by taking control of their "vows."[3]
In ancient Teyvat, the whole planet was blanketed in pure, unblemished white light from the Light Realm.[14] Aksinya and the Belyi Tsar describe the spiritual overflow of this light from Nibelung very literally as "hope" and "love," and that the distortion of this light by the Heavenly Principles to fashion the Human Realm ran this love dry beneath the weight of "countless sorrows," leaving a void of "envy, hatred, and selfish desire."[4] This aligns with Neuvillette's description of the original order of the planet becoming "the resentments and loathing of the world," which the Heavenly Principles took great pains to suppress to maintain their rule.[15]
The city of Hyperborea attempted to recreate the position of "Primordial Human" that Nibelung left vacant upon his end and in this effort used the corpse of the Cryo Dragon in their experiments to accomplish this. However, their experiment was a failure, as Nibelung was still alive, and therefore his seat still remained occupied.[14] Meanwhile the Cryo Dragon's power caused what is now Snezhnaya to become a frozen wasteland and the city was destroyed. The experiment was not without results, however, as a millennia after the experiment occurred the Belyi Tsar would emerge from the Cryo Sovereign's corpse as an incomplete version of the Primordial Human.[4]
When Nibelung returned during the Funerary Year,[16] he did so bearing the power of the Abyss, which Apep claims he did believing that it would enable him to overthrow the Heavenly Principles and restore the dragons' dominion. However Nibelung has also been described as becoming "pitiful" after his corruption also, in comparison to his "once glorious and grand figure."[8] Given what happened to Xiuhcoatl, being reduced to a "living corpse" it's possible it had the opposite effect.[17][18]
Rallying his kin, he waged a "great war of vengeance" against the Heavenly Principles in what is remembered as a cataclysm of unparalleled devastation.[5][6][15] Nibelung was furious upon discovering the apparent disloyalty of the moon sisters and imprisoned them within the Moon's Reflection. He then turned the moons into weapons of destruction to fight against the Heavenly Principles.[19]
Rather than securing victory, this conflict proved ruinous, bringing the world to the brink of collapse. The Dragon King's war eventually culminated in his and his race's defeat, where Kukulkan notes that Nibelung was thoroughly obliterated by the Heavenly Principles at a great cost. Having secured supremacy and the authority to "shape the world," the Heavenly Principles cast down the Celestial Nails to mend the land. This act, while repairing the scars of battle, also devastated much of the life that had once thrived upon Teyvat's surface.[6][5]
Legacy
Although the Heavenly Principles ultimately defeated Nibelung, their victory came "at great cost."[6] The conflict with the ancient dragons left them severely damaged, and as a result, they could no longer wield their absolute authority to suppress the original order of the world. This loss of power led them to kill Saarelainen, creating the Gnoses from his remains in collaboration with "one who came after."[15][11]
Even after seeing the former rainforests in her domain turn into desert through the power of the Celestial Nail, Apep attempted to turn the tides by acquiring more forbidden knowledge, but ultimately failed and became corrupted by the power she had sought.[5]
Another surviving Sovereign, Xiuhcoatl, was also corrupted by the Abyss, and to fight it, he resolved to turn all matter in his territory and eventually Teyvat into pure information using Huitzilopochtli.[6]
Neuvillette believes that Nibelung was wrong, and that all the kinds of life together are necessary to defeat the Abyss.[20]
Character Mentions
Character Stories
| Character | Stories |
|---|---|
Character Voice-Overs
| Character | Voice-Overs |
|---|---|
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Gallery
Trivia
Aliases and Titles
- Nibelung is known by these aliases or titles:
- Second Who Came[21][Note 1]
- Dark Dragon King[22]
- Second Descender[1][2][Note 1]
- Formidable Father[23]
- Dark-Winged Lord[7]
- Takoja Ianikuinen (by the Frostmoon Scions)[11]
- Primeval Blacksmith (by the Frostmoon Scions)[11]
- Eternal Workman (by the Frostmoon Scions)[11]
- Great Father of Genesis (by the Frostmoon Scions)
- Murderous Blacksmith (by the Frostmoon Scions)
- Master of Misfortune (by the Frostmoon Scions)
- Lord of all Evil (by the Frostmoon Scions)
- Lord of Two Natures (by the Frostmoon Scions)
- Lord of Darkness Who Returned From the Sea of Stars[24]
- Dragon Lord of Darkness[25]
- The One[4]
- Master of The Light Realm[4]
- King of All Dragon Lords[4]
- Primordial Human[4]
- Narayana[4]
Etymology
- The Germanic term Nibelung has several, sometimes conflicting, uses in Norse and Germanic myth, and its exact etymology is unknown. The popular theory is that it is derived from nibel "mist, cloud" and that the word was often used for, or may have originally meant, mystical beings. The term Nibelung in legend has usually referred to either a group of humans or a group of dwarves.
- The term Nibelung in Genshin Impact is likely derived from Richard Wagner's four-part opera Der Ring des Nibelungen "The Ring of the Nibelung" (which is based on various Germanic and Norse legends and sagas), in which the dwarf (or Nibelung) Alberich creates a ring capable of controlling the world, using gold he stole from the Rhinemaidens (or Rheintöchter "Rhine-daughters"). The conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, Valhalla.
- The Alberich Clan and "Gold" Rhinedottir are other names directly taken from Der Ring des Nibelungen. Notably, both the Alberich Clan and Rhinedottir played a prominent role during the cataclysm 500 years ago, in which a resurgence of Abyssal power and forbidden knowledge came from Khaenri'ah, resulting in its destruction at the hands of the Heavenly Principles and the gods.
- The term Nibelung in Genshin Impact is likely derived from Richard Wagner's four-part opera Der Ring des Nibelungen "The Ring of the Nibelung" (which is based on various Germanic and Norse legends and sagas), in which the dwarf (or Nibelung) Alberich creates a ring capable of controlling the world, using gold he stole from the Rhinemaidens (or Rheintöchter "Rhine-daughters"). The conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, Valhalla.
- The epithet "Takoja Ianikuinen" derives from the Finnish words takoja "forger" and iänikuinen "eternal" or "ancient."
- "Takoja Iänikuinen" is an epithet used in the Finnish epic Kalevala to refer to "Ilmarinen", a god of the sky who forged the heavens.[26]
- In the Kalevala, one of the stories about Ilmarinen describes his attempt to forge a Sampo Mill for the enchantress Louhi in order to win the Maiden of Pohjola. In this effort he would create a crossbow, a ship, and a metal cow over the course of three days. Each creation proves to be flawed and evil in nature, causing Ilmarinen to destroy them before ultimately succeeding in his efforts to create the Sampo Mill on the fourth day. This myth appears to be directly alluded to in the Hymns of the Far North, which states that Nibelung created "a bow, a great chariot, and a shuttle of moonlight," seemingly referencing his creation of the Three Moons and their respective goddesses.[27]
- The Sampo Mill is also a device within the world of Genshin Impact, though whether it has any connection to Nibelung has yet to be seen.
- In the Kalevala, one of the stories about Ilmarinen describes his attempt to forge a Sampo Mill for the enchantress Louhi in order to win the Maiden of Pohjola. In this effort he would create a crossbow, a ship, and a metal cow over the course of three days. Each creation proves to be flawed and evil in nature, causing Ilmarinen to destroy them before ultimately succeeding in his efforts to create the Sampo Mill on the fourth day. This myth appears to be directly alluded to in the Hymns of the Far North, which states that Nibelung created "a bow, a great chariot, and a shuttle of moonlight," seemingly referencing his creation of the Three Moons and their respective goddesses.[27]
- "Takoja Iänikuinen" is an epithet used in the Finnish epic Kalevala to refer to "Ilmarinen", a god of the sky who forged the heavens.[26]
- His epithet as "Narayana" is derived from the Sanskrit words "nara" (water) and "ayana" (abode or refuge) turning out to mean "one whose home is the waters". The term has also been defined as "primeval man" or "Supreme Being who is the foundation of all men."[28]
- The name is used to refer to the Narayana of Vedic Religion, considered to be one of the many epithets of the Hindu God Vishnu and also the supreme deity of the Vaishnavism tradition.[28]
Cultural Inspiration
- As the Heavenly Principles seems inspired by the Demiurge of Gnostic myth, Nibelung in his uncorrupted state appears to be partly inspired by the Monad, the true God and creator from which the aeons, including the Demiurge's own creator, emanated from.
- The dragon records on the Frost Moon appear to refer to Nibelung as "the Creator" in line with this concept, and for much of Teyvat's dragon history, Nibelung seemed to be distant and unknowable to his people, a concept also shared by the Monad.
- On the flipside, the Monad was often presented in a more mysterious and, importantly, immaterial fashion which would be more in line with the Light Realm itself.
Notes
- ↑ 1.0 1.1 1.2 1.3 Lauma refers to the war of funerary flame as a conflict triggered by Descenders, which is later specified by Nicole as having been a battle for dominance between the Heavenly Principles and Nibelung. Though Nibelung was the first Descender to be present on Teyvat as its native original ruler, the Heavenly Principles is considered to be the First Descender instead. Before Sun and Moon similarly recounts a narrative of a war involving a "Second Who Came" who was considered to be the second "throne of the heavens" in comparison to the Heavenly Principles, referred to as the "Primordial One," that they fought against. The nature of how and when Nibelung became a Descender or how the official order is determined is unstated, and remains unclear.
Other Languages
Nibelung
| Language | Official Name |
|---|---|
| English | Nibelung |
| Chinese (Simplified) | 尼伯龙根 Níbólónggēn |
| Chinese (Traditional) | 尼伯龍根 Níbólónggēn |
| Japanese | ニーベルンゲン Niiberungen |
| Korean | 니벨룽겐 Nibellunggen |
| Spanish | Nibelung |
| French | Nibelung |
| Russian | Нибелунг Nibelung |
| Thai | Nibelung |
| Vietnamese | Nibelung |
| German | Nibelung |
| Indonesian | Nibelung |
| Portuguese | Nibelung |
| Turkish | Nibelung |
| Italian | Nibelung |
Second Who Came
| Language | Official Name | Literal Meaning |
|---|---|---|
| English | Second Who Came | — |
| Chinese (Simplified) | 后来的第二位 Hòulái de Dì'èrwèi | The Second One Who Came After |
| Chinese (Traditional) | 後來的第二位 Hòulái de Dì'èrwèi | |
| Japanese | 後に来た二人目 Ato ni Kita Futarime[!] | The Second One Who Came After |
| Korean | 나중의 그분 Najung-ui Geubun | That One of the Later |
| Spanish | La segunda persona que reclamaba el trono | The Second Person to Reclaim the Throne |
| French | Le Second qui prétendait au trône | The Second Who Was Entitled to the Throne |
| Russian | Второй Пришедший Vtoroy Prishedshiy | Second Who Came |
| Thai | ราชาองค์ที่สอง | |
| Vietnamese | Vị Thứ Hai | The Second One |
| German | Der Zweite, der nachher kam | The Second (One), Who Came After |
| Indonesian | Takhta kedua | Second Throne |
| Portuguese | Segundo Que Veio | |
| Turkish | İkinci Gelen | Second Who Came |
| Italian | Secondo venuto | Second Who Came |
Takoja Ianikuinen
| Language | Official Name |
|---|---|
| English | Takoja Ianikuinen |
| Chinese (Simplified) | 塔科贾・雅尼奎宁 Tǎkējiǎ Yǎníkuíníng |
| Chinese (Traditional) | 塔科賈・雅尼奎寧 Tǎkējiǎ Yǎníkuíníng |
| Japanese | タコヤ・イアニクイネン Takoya Ianikuinen |
| Korean | 타코야 이앤니쿠이넨 Takoya Iaenniku'inen |
| Spanish | Takoja Iänikuinen |
| French | Takoja Ianikuinen |
| Russian | Такоджа Яникуйнен Takodzha Yanikuynen |
| Thai | Takoja Ianikuinen |
| Vietnamese | Takoja Ianikuinen |
| German | Takoja Ianikuinen |
| Indonesian | Takoja Ianikuinen |
| Portuguese | Takoja Ianikuinen |
| Turkish | Takoja Ianikuinen |
| Italian | Takoja Ianikuinen |
Change History
- The Primordial Human was revealed to be Nibelung in World Quest An Ark That Used to Be a Soul in Series Her Palace Collapses Into the Blizzard.
- Nibelung's appearance was revealed on a mural in World Quest Revelations from the Past in Series Between Pledge and Forgettance.
- Nibelung was mentioned in What Shape Does the Self Hold in Nahida's Story Quest, Sapientia Oromasdis Chapter: Act II - Homecoming.
- The Second Who Came was introduced in Before Sun and Moon.
- The Primordial Human was mentioned in Event Story Quest The Shadows Deepen in Shadows Amidst Snowstorms: Act II.
References
- ↑ 1.0 1.1 Archon Quest, Song of the Welkin Moon, Act I - A Dance of Snowy Tides and Hoarfrost Groves, Part 1: Where the Moon Rises
Lauma: Afterwards... Well, as you have seen, the three Moon Goddesses perished. This happened in a war triggered by the Descenders, [...] - ↑ 2.0 2.1 Archon Quest, Song of the Welkin Moon, Act VI - Melting Moonlight in the Morning Mist, Part 1: Where Does Her Name Rest?
Nicole: He did, and thus began the war of funerary flame. A battle for dominance between Nibelung and the Heavenly Principles. - ↑ 3.0 3.1 3.2 Weapon: Fractured Halo
- ↑ 4.0 4.1 4.2 4.3 4.4 4.5 4.6 4.7 World Quest, Her Palace Collapses Into the Blizzard, Part 1: An Ark That Used to Be a Soul
- ↑ 5.0 5.1 5.2 5.3 5.4 Story Quest, Nahida, Sapientia Oromasdis Chapter: Act II - Homecoming, Part 2: What Shape Does the Self Hold
- ↑ 6.0 6.1 6.2 6.3 6.4 6.5 World Quest, A Finale Emberforged, Part 1: An Omen of Annihilation and the Final Entreaty
- ↑ 7.0 7.1 World Quest, Chronicler of the Crumbling City, Part 2a: Once, the Sacred Seat of Judgment
- ↑ 8.0 8.1 World Quest, Between Pledge and Forgettance: Revelations from the Past
You witness with your own eyes the gargantuan wings from beyond the world, the once glorious and grand figure now pitiable, having completely sunk into the terrifying shadow. - ↑ 9.0 9.1 Artifact, Finale of the Deep Galleries: Deep Gallery's Distant Pact
- ↑ Forgery Domain Entrance Description: Ancient Watchtower
- ↑ 11.0 11.1 11.2 11.3 11.4 Book: Hymns of the Far North, Vol. 2
- ↑ Artifact, Aubade of Morningstar and Moon: Moonlit Offering's Parting Light
- ↑ Artifact, Aubade of Morningstar and Moon: Moonlit Offering's Final Hour
- ↑ 14.0 14.1 Interactable, Pale Crown Palace: Notes by a Certain Noble Individual
- ↑ 15.0 15.1 15.2 Neuvillette's Character Story: Vision
- ↑ YouTube: Song of the Welkin Moon Teaser: Moonlit Ballad of the Night
- ↑ Artifact, Obsidian Codex: Reckoning of the Xenogenic
- ↑ Template:Ref/Art
- ↑ Archon Quest, Song of the Welkin Moon, Act VI - Melting Moonlight in the Morning Mist, Part 1: Where Does Her Name Rest?
- ↑ Neuvillette's Character Story: Character Story 5
- ↑ Book: The Byakuyakoku Collection, Vol. 2 - Before Sun and Moon
- ↑ World Quest, A Long Day in the Mountains: Prologue - Magic Mountain: The Wind Has Ceased
- ↑ Neuvillette's Voice-Over: About Us: Witness
- ↑ World Quest, Moon Gazing: Act III - Project Moongazer (Act), Part 1: Project Moongazer
- ↑ World Quest, Moon Gazing: Act III - Project Moongazer (Act), Part 2
- ↑ Kalevalaseura: Who's Who in the Kalevala
- ↑ Wikipedia: Ilmarinen
- ↑ 28.0 28.1 Wikipedia: Narayana

