Nabu Malikata
Last updated 2026-09-07
Nabu Malikata was the Goddess of Flowers[6] and a close friend of Greater Lord Rukkhadevata, the previous Dendro Archon of Sumeru. The two were considered among the Three Eternal Companion-Gods of Sumeru alongside King Deshret, and were friends who each pursued their own paths towards "wisdom."[7][8]
She was the creator of the Jinn and Khvarena, a Moon Envoy of the Lunar Palace,[Note 1] and a survivor of the Angels.[4][5] A portion of her remains were sealed within Collei's body until they were finally removed in the Archon Quest Your Past Is Like a Garden.
Profile
Appearance
According to legend, Nabu Malikata was said to have "beautiful" horns on her head. The horns of Nilou's crown in her default outfit, Neither Flower Nor Mist, were made to reflect this trait.[6] Nabu Malikata also wore an amethyst crown, which became traditional headgear for her priests.[9]
When the Traveler sees Nabu Malikata in Liloupar's memories, her appearance is described as being "ineffably beautiful," comparable to "the totality of her Jinn." However, when they meet her gaze, they are faced with "nothingness."[10]
Based on the appearance of Nicole and other angels, it can be surmised that Nabu Malikata once had a halo-like crown and wings, both made from shimmering light.[11]
While possessing Collei, the pieces of Nabu Malikata's remains took the form of a large magenta and purple serpent wreathed in black flames. Notably, the colors of the serpent closely resemble the flowers seen in her royal court in the Desert of Hadramaveth.
Story
"I am a flickering illusion."
"I am the shimmering light that flows from the eyes of the creator."
Nabu Malikata was one of the Angels created by the Heavenly Principles for the purpose of guiding humanity as divine envoys of Celestia during the era of Teyvat's unified civilization. At some point, she became a Moon Envoy and began residing in the Lunar Palace.[13][14][Note 1]
She participated in her elder sister Koitar's rebellion against their creator, the Heavenly Principles. During the rebellion, she assisted the other Angels in hiding and shielding their youngest sister, Nicole.[15] For their rebellion, the Angels were punished with a curse that would strip them of their strength and memories if they were to ever love for an individual's sake over humanity's, turning them into husks of their former selves in the form of Seelies.[16] While Nabu Malikata was able to escape punishment by hiding herself beneath the Great Red Sand, almost all of her sisters succumbed to the curse.[9][17] According to a legend, she wandered the barren wastes for 72 days. Springs gushed from her wounds, becoming streams that flowed into gardens. Water lilies grew in these gardens, and the Jinn were born from them. The first Jinn begged her to stay with them, and she relented. Purple flowers resembling the moon bloomed wherever she stopped, and they were called Padisarahs.[4]
Sometime during the Archon War, she met King Deshret, and later, Greater Lord Rukkhadevata. King Deshret shared his throne with the two goddesses, and they became known as the "Three Eternal Companion-Gods" of Sumeru, and good friends.[7]
Nabu Malikata and King Deshret built the ancient civilization of Ay-Khanoum in the desert as an earthly paradise.[18] While Nabu Malikata was aware of King Deshret's affections for her, it is implied that the feelings were not reciprocated.[19][20]
Nabu Malikata is said to have composed the text Scroll of Streaming Song, which recounts her later meeting and union with Greater Lord Rukkhadevata. Nabu Malikata was the originator and namesake of the Sabzeruz Festival (Chinese: 花神诞日 "Birthday of the Goddess of Flowers"), which originally commemorated Greater Lord Rukkhadevata's birthday.[6] After Greater Lord Rukkhadevata's death, the Sabzeruz Festival became a celebration for her successor Lesser Lord Kusanali's birthday.[21]
On this same birthday, Nabu Malikata foresaw the coming of the cataclysm, so she created a shard of Khvarena, who she named her daughter. Khvarena was gifted to Greater Lord Rukkhadevata, as Nabu believed that Rukkhadevata's "light" was more radiant than hers. Rukkhadevata later transformed Khvarena into the divine bird Simurgh, who was the daughter of both goddesses together. The divine bird was destined to sacrifice herself during the cataclysm in order to save the Girdle of the Sands from its abyssal corruption. Simurgh's Khvarena alighted upon the Hydro Archon, Egeria's remains, giving birth to the Pari of the Vourukasha Oasis, who are the daughters of all three goddesses.[22][23]
At some point, Nabu Malikata warned King Deshret against pursuing forbidden knowledge, the Heavenly Principles, or the "mysteries of the stars and abyss," relating her past experiences and the fate of the Angels to him.[9] However, he remained undeterred and told her about his ambitions. Having long planned to continue the rebellion of the angels herself,[24] she relented, and agreed to assist him with his plans.[25][26] Greater Lord Rukkhadevata was heartbroken by her fellow God-Kings' plans, so she shepherded her own people away to create an oasis in the east of the desert, leaving Nabu Malikata to wait for a return that never came.[27][28]
Death
Using her lingering connection to Celestia, Nabu Malikata granted King Deshret divine knowledge, and was consequently "burned to ashes by the flames of wrath" for her crime.[29] It is suggested that she knew she would be punished by death,[25] but went through with her actions regardless so that the bitterness of her death would preserve her legacy forever. King Deshret, who was enamored with her, never realized this intention.[20] Her remains were scattered across the desert, and King Deshret gathered all the pieces he could find to bury them in the Eternal Oasis, but some fragments of her body went unaccounted for.
With her death, the original Padisarah flower went extinct,[18] and although Greater Lord Rukkhadevata attempted to recreate the flowers in her friend's memory, she was unable to replicate its original shade of purple.
Legacy
Following Nabu Malikata's death, King Deshret deceived the Jinn into becoming his servants by telling them the Goddess of Flowers was merely in a deep slumber, and in exchange for the Jinn's power, he would help them find her.[30] He created the Orchard of Pairidaeza as a cemetery for her,[31] and set up the mortal kingdom of Gurabad with the duty of protecting the Orchard.[7][32][33]
Using the divine knowledge granted by Nabu Malikata, King Deshret constructed his Mausoleum, with Aaru as the centerpiece. While Deshret had initially intended his creation to rival the world itself, his friendship with Nabu Malikata and Rukkhadevata led him to limit Aaru to a monument of the past when Nabu Malikata was still alive, at least according to Thoth.[29] It is implied by the notes of the Belyi Tsar that Nabu Malikata's ultimate goal for this project was a system "that would stand independent of both the Ley Lines and Heimarmene," thus weakening Irminsul's control over Fate. As of the Archon Quest Truth Amongst the Pages of Purana, the destruction of Irminsul allowed Aaru to replace it as the hub for all of Teyvat's memories and a new anchor for the Dendro Archon's existence, completing the usurpation of the Ley Lines she had planned thousands of years in advance.[24]
Eventually, the Fatui Harbinger Dottore tracked down Nabu Malikata's unaccounted-for remains and used them in various experiments, one of which was treating Eleazar with injections of god remains. Thus, a fragment of Nabu Malikata came to reside within Collei's body. Collei was the only one of the experimental subjects to successfully merge with Nabu's remains,[34] but she remained unable to control them. The lingering malice within the remains continued to cause harm to people around Collei, until they were sealed within her by Cyno, prior to the events of the game.[35]
Guided by her remaining impulses to aid mortals, Nabu's remains would grant Collei prophetic visions of both the burning[36] and corruption[37] of Irminsul. The first prophecy came true in the Truth Amongst the Pages of Purana, whilst the latter was averted by the cumulative fissures rent in fate.[24] Ultimately, the prophecy proved essential to saving Sumeru and ultimately all of Teyvat from Il Dottore.
Finally, Nabu Malikata's daughter, the Jinni Liloupar, sacrificed her life to remove the last fragment of the Goddess' body from Collei, laying her to rest for the last time.[38]
Character Mentions
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Gallery
Trivia
- The name Bilqis, used in the World Quest Series The Dirge of Bilqis, is the arabic name for the Biblical Queen of Sheba, who travels to King Solomon bearing him great gifts to test his wisdom with difficult riddles. In later Islamic accounts and traditions, where the name Bilqis is derived from, she is instead invited by Solomon to submit to God rather than worship the sun in her kingdom, and ultimately acknowledges God's sovereignty (Surat An-Naml 27:20–44).
- King Deshret's lore draws inspiration from several parts of King Solomon's mythos, which suggests that Nabu Malikata can only be the analogue for Bilqis.
- Nabu Malikata is presumably inspired by mainly numerous Middle Eastern goddesses, as implied from the known tribes that worshipped her and the etymology of their respective names (see The Eremites § Etymology):
- Tanit, a Punic goddess with possible Berber origins, became the chief deity of Ancient Carthage during the 5th century BCE. Tanit was the Phoenician equivalent of the Babylonian goddess Ishtar.
- Shimti,[39] likely named after the Akkadian goddess, can also refer to a title used for several other Mesopotamian goddesses.
- Uzza, likely named after Al-Uzza, a pre-Islamic Arabian goddess of the morning and evening star, worshipped alongside Al-Lat and Manat by polytheistic Arabian people, which includes the likes of the Nabataeans and many other pre-Islamic civilizations.
- It is not clear whether the Unut and Iab tribes directly worshipped Nabu Malikata, but they possess the same pattern of having their tribes named after a goddess, which suggests that Nabu Malikata could also be based on the Egyptian goddesses Unut and Iabet.
Aliases and Titles
- Nabu Malikata is known by these aliases or titles:
- Goddess of Flowers[6]
- God King[8]
- Mistress of Flowers[10]
- Lord of Flowers[13]
- Lord of Joy and Happiness[13]
- Moon Maiden[13][14]
- Mistress of Flowers and Oases[18]
- Mistress of Pushpavatika[19]
- Queen of All Oases[30]
- Mother of Dreams[34]
- Mistress of Dreams[40]
- Queen of the Garden[41]
- Gul Xvatun[42] (in Deshret Script)
- Bay Mihraban[42] (in Deshret Script)
- Xwemn Banbisn[42] (in Deshret Script)
Etymology
- Nabu is an ancient Mesopotamian god of literacy, the rational arts, scribes, and wisdom. His name (Akkadian: 𒀭𒀝 Nabû) means "announcer" or "authorized person" and is a cognate with words in several other Semitic languages, such as Arabic نبي nabiyy and Hebrew נביא naví, meaning "enlightened" or "prophet."
- Paralleling the horns atop Nabu Malikata's head, Nabu is described as wearing a horned cap.
- Nabu and his father Marduk also rode the winged dragon Sirrush (more accurately rendered with modern knowledge of cuneiform as “Mušḫuššu”), a name which bears great similarity to one of Nabu Malikata's indirect descendants, Sorush.
- Malikata is one of many forms of the Arabic word مَلِكَة Malika, "queen" (modern form) or alternatively مَلَكَة Malaka, "queen" (archaic form), or from the ideogram of the Middle Persian word for queen, MLKTA (Middle Persian: 𐭬𐭫𐭪𐭲𐭠 bāmbišn).
- In the Eternal Oasis, her name is written as "NABU MLKTA" in Deshret Script, the same as the ideogram of the Middle Persian word.
- Malikat (Arabic: ملكة "Queen of") is construct state of the word Malika, while Malikata is its accusative form with the same meaning. This is similar to how 'Queen of Sheba' is written in Arabic: ملكة سبأ Malikat Saba.
- The use of ملكة in 'Queen of Sheba' allows it to be in either archaic or modern form depending on the context, with the common romanization is 'Malika'.
- The title "Gul Xvatun" has an approximate Middle Persian meaning of "Mistress of Flowers": Gul (Middle Persian: gwl gul, "flower") and xvatun (Middle Persian: xʾṯwn xātūn, "lady, noblewoman")
- The title "Bay Mihraban" has an apprximate Middle Persian meaning of "Kindly Lord": Bay (Middle Persian: 𐭡𐭢 bay, "lord") and mihraban (Middle Persian: mtr'pʾn' mihrbān, "kind")
- The title "Xwemn Banbisn" has an approximate Middle Persian meaning of "Queen of Dreams": Xwemn (Middle Persian: xwmn xwamn, "dream, sleep") and Banbisn (Middle Persian: bʾnbyšn bānbišn, "queen")
Notes
- ↑ 1.0 1.1 The English localization renders the artifact's original Chinese title, 月女的华彩, as "Ay-Khanoum's Myriad." However, the original title doesn't mention Ay-Khanoum (阿伊・哈努姆). Instead, 月女 literally means "Moon Maiden," making a more literal translation "Moon Maiden's Splendor." Since the artifact's description is centered on Nabu Malikata, the title's "Moon Maiden" corresponds to her rather than the city of Ay-Khanoum. Considering that Nabu Malikata is referred to as the "Moon Maiden," and that her city was known as the "City of the Moon Maiden" and served as a paradise for "migrants from the moon," likely referring to her, it's consistent that she was a Moon Envoy who resided in the Lunar Palace, similar to Zibai.
Other Languages
Nabu Malikata
| Language | Official Name |
|---|---|
| English | Nabu Malikata |
| Chinese (Simplified) | 娜布・玛莉卡塔 Nàbù Mǎlìkǎtǎ |
| Chinese (Traditional) | 娜布・瑪莉卡塔 Nàbù Mǎlìkǎtǎ |
| Japanese | ナブ・マリカッタ Nabu Marikatta |
| Korean | 나부・말리카타 Nabu Mallikata |
| Spanish | Nabu Malikata |
| French | Nabu Malikata |
| Russian | Набу Маликата Nabu Malikata |
| Thai | Nabu Malikata |
| Vietnamese | Nabu Malikata |
| German | Nabu Malikata |
| Indonesian | Nabu Malikata |
| Portuguese | Nabu Malikata |
| Turkish | Nabu Malikata |
| Italian | Nabu Malikata |
Goddess of Flowers
| Language | Official Name | Literal Meaning |
|---|---|---|
| English | Goddess of Flowers | — |
| Chinese (Simplified) | 花神 Huāshén | God of Flowers |
| Chinese (Traditional) | 花神 Huāshén | |
| Japanese | 花神 Kashin[43] | God of Flowers[※] |
| Korean | 화신 Hwasin | God of Flowers[※] |
| Spanish | Diosa de las Flores | Goddess of Flowers |
| French | Déesse des fleurs | Goddess of Flowers |
| Russian | Божество цветов Bozhestvo tsvetov | God of Flowers |
| Thai | เทพแห่งมวลบุปผา Thep haeng Muanbuppa | God of Flowers |
| Vietnamese | Hoa Thần | God of Flowers[※] |
| German | Blumengöttin | Flower Goddess |
| Indonesian | Dewi Bunga | Flower Goddess |
| Portuguese | Deusa das Flores | Goddess of Flowers |
| Turkish | Çiçek Tanrıçası | Flower Goddess |
| Italian | Dea dei fiori | Goddess of Flowers |
Change History
- The remains inside Collei were revealed to be a fragment of Nabu Malikata.
- The Goddess of Flowers was named as Nabu Malikata.
- The Goddess of Flowers was introduced.
December, 2018:
- The god remains inside Collei were introduced in Flame Born.
References
- ↑ Book: Hymns of the Far North
- ↑ Artifact, Flower of Paradise Lost: Ay-Khanoum's Myriad
- ↑ 3.0 3.1 Artifact, Vourukasha's Glow: Stamen of Khvarena's Origin
- ↑ 4.0 4.1 4.2 Artifact Set: Flower of Paradise Lost
- ↑ 5.0 5.1 World Quest, Aranyaka: Part III - Nursery of Lost Dreams, Part 2: For the Children of the Past
- ↑ 6.0 6.1 6.2 6.3 Archon Quest, Chapter III, Act I - Through Mists of Smoke and Forests Dark, Part 5: The Trail of the God of Wisdom
- ↑ 7.0 7.1 7.2 World Quest, The Dirge of Bilqis, Part 4: Dune-Entombed Fecundity: Part II
- ↑ 8.0 8.1 Artifact Set: Deepwood Memories
- ↑ 9.0 9.1 9.2 Artifact, Flower of Paradise Lost: Amethyst Crown
- ↑ 10.0 10.1 World Quest, The Dirge of Bilqis, Part 6: The Eternal Dream, Ever Lush
- ↑ World Quest, Beyond Silver and Fine Gold, Part 3: The Lost Palace
- ↑ Archon Quest, Song of the Welkin Moon, Act IX - As All Falls to Emptiness, Part 2: A Divergence Leading to Oneself
- ↑ 13.0 13.1 13.2 13.3 Weapon Ascension Material: Oasis Garden's Reminiscence
- ↑ 14.0 14.1 Item: The Shepherd and the Magic Bottle
...and built the majestic Ay-Khanoum — the "City of Amphitheaters," or "City of the Moon Maiden" [...] the paradise for migrants from the moon, gifted to them by Al-Ahmar. - ↑ Weapon: Angelos' Heptades
- ↑ Artifact, Finale of the Deep Galleries: Deep Gallery's Moment of Oblivion
- ↑ Nicole's Character Story: Character Story 4
- ↑ 18.0 18.1 18.2 Weapon Ascension Material: Oasis Garden's Mourning
- ↑ 19.0 19.1 Book: Scroll of Streaming Song
- ↑ 20.0 20.1 Weapon Ascension Material: Oasis Garden's Truth
- ↑ NPC Dialogue: Philby
- ↑ Artifact Set: Vourukasha's Glow
- ↑ Event Chromatic Ode of Candies and Roses Quest, Part 3: Give Her Memories
- ↑ 24.0 24.1 24.2 Interactable, Pale Crown Palace: Notes by a Certain Noble Individual (IV)
- ↑ 25.0 25.1 Artifact, Flower of Paradise Lost: Secret-Keeper's Magic Bottle
- ↑ Artifact, Flower of Paradise Lost: Wilting Feast
- ↑ World Quest, The Dirge of Bilqis, Part 5: Dune-Entombed Fecundity: Part III
- ↑ Weapon Ascension Material: Olden Days of Scorching Might
- ↑ 29.0 29.1 Archon Quest, Song of the Welkin Moon, Act X - Truth Amongst the Pages of Purana, Part 1: Darkness Looming
- ↑ 30.0 30.1 World Quest, The Dirge of Bilqis, Part 2: The Temple Where Sand Flows Like Tears
- ↑ Artifact, Flower of Paradise Lost: A Moment Congealed
- ↑ World Quest, The Dirge of Bilqis, Part 3: Dune-Entombed Fecundity: Part I
- ↑ Interactable: Vaguely-Readable Inscription, Debris of Panjvahe
- ↑ 34.0 34.1 Archon Quest, Song of the Welkin Moon, Act IX - As All Falls to Emptiness, Part 3: Ancient Shadows Re-Emerge
- ↑ Manga, Chapter 15: Conclusion
- ↑ YouTube: Teyvat Chapter Interlude Teaser: A Winter Night's Lazzo (Timestamp: 225s)
- ↑ Archon Quest, Song of the Welkin Moon, Act IX - As All Falls to Emptiness, Part 1: Where Flowers Awaken
- ↑ Archon Quest, Song of the Welkin Moon, Act X - Truth Amongst the Pages of Purana, Part 4: Your Past Is Like a Garden
- ↑ Behind the Name: Shimti
- ↑ Weapon Ascension Material: Oasis Garden's Kindness
- ↑ Interactable, Tanit Camps: Akademiya Emblem-Marked Contract
- ↑ 42.0 42.1 42.2 Deshret Script/Texts: Records of the Ancient Oases
- ↑ Archon Quest, Chapter III, Act II - The Morn a Thousand Roses Brings, Part 1: The Coming of the Sabzeruz Festival
